Mrs. Dalloway, perhaps Virginia Woolf’s greatest novel, follows English socialite Clarissa Dalloway as she prepares for a party in post-World War I London. Four-time Oscar nominee Annette Bening (American Beauty, The Kids Are All Right) performs Woolf’s stream-of-consciousness style of storytelling brilliantly, exploring the hidden springs of thought and action in one day of a woman’s life.
When we first meet Clarissa Dalloway, she is preoccupied with the last-minute minutiae of party-planning while being flooded with memories of long ago. Clarissa then examines the realities of the present as the story travels forwards and back in time and in and out of different characters’ minds.
Mrs. Dalloway is daring not only in its stream-of-consciousness form, but also in its content. Woolf’s depiction of Septimus Warren Smith brings to light the ugly and often ignored truth of how the brutality of war can drive men mad. We also get to see in depth how our main protagonist, Clarissa Dalloway, suffers from her own form of psychological damage: the more subtle, everyday oppression of English society.
Mrs. Dalloway is part of Audible’s A-List Collection, featuring the world’s most celebrated actors narrating distinguished works of literature that each star helped select.
As Clarissa Dalloway walks through London on a fine June morning, a sky-writing plane captures her attention. Crowds stare upwards to decipher the message while the plane turns and loops, leaving off one letter, picking up another. Like the airplane's swooping path, Virginia Woolf's Mrs. Dalloway follows Clarissa and those whose lives brush hers--from Peter Walsh, whom she spurned years ago, to her daughter Elizabeth, the girl's angry teacher, Doris Kilman, and war-shocked Septimus Warren Smith, who is sinking into madness.
As Mrs. Dalloway prepares for the party she is giving that evening, a series of events intrudes on her composure. Her husband is invited, without her, to lunch with Lady Bruton (who, Clarissa notes anxiously, gives the most amusing luncheons). Meanwhile, Peter Walsh appears, recently from India, to criticize and confide in her. His sudden arrival evokes memories of a distant past, the choices she made then, and her wistful friendship with Sally Seton.
Woolf then explores the relationships between women and men, and between women, as Clarissa muses, "It was something central which permeated; something warm which broke up surfaces and rippled the cold contact of man and woman, or of women together.... Her relation in the old days with Sally Seton. Had not that, after all, been love?" While Clarissa is transported to past afternoons with Sally, and as she sits mending her green dress, Warren Smith catapults desperately into his delusions. Although his troubles form a tangent to Clarissa's web, they undeniably touch it, and the strands connecting all these characters draw tighter as evening deepens. As she immerses us in each inner life, Virginia Woolf offers exquisite, painful images of the past bleeding into the present, of desire overwhelmed by society's demands. --Joannie Kervran Stangeland .
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